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Clef: BassBass
Composition: Piano
Play Time: 1:00 - 1:30
Unique Accidentals: 3-4
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SDG
Above the blue sky. Hoger dan de blauwe luchten en de sterretjes van goud. Kinderliedje. Slaapliedje. Lullaby, Children song, SATB.
SDG
1:22 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 1 5 100%
Bass 18 1 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 1 5 100%
Bass 18 1 3 5 100%
 
26. Gott, wie gross ist deine Güte. Schemelli/Bach. BWV 462. Inner voices: Gertim (SDG)
SDG
1:06 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 18 0 3 4 100%
 
Nailed to the cross. Er was één die gewillig Zijn leven eens gaf, Joh. de Heer 698.
SDG
1:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 1 4 5 100%
T B Bass 14 0 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 1 4 5 100%
T B Bass 14 0 3 5 100%
 
Golden harps are sounding (TUNE: HERMAS). Gouden harpen ruisen bij der Eng'len zang, Joh. de Heer 720.
SDG
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 1 2 5 100%
T B Bass 16 0 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 1 2 5 100%
T B Bass 16 0 3 5 100%
 
Hark! There Comes a Whisper. Hoor het zacht gefluister, zondaar, kom tot Hem, Joh. de Heer 510.
SDG
1:28 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 17 18 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 17 18 4 5 100%
 
204. Heer Jezus, Zoon van de Allerhoogste.
SDG
1:25 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 2 2 100%
Bass 15 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 2 2 100%
Bass 15 0 3 2 100%
 
191. Zingt, o hemelkoren.
SDG
1:06 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 11 0 2 4 100%
Bass 16 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 11 0 2 4 100%
Bass 16 0 4 4 100%
 
92. Dank Jezus dank met wat genâ
SDG
1:16 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 1 3 100%
T B Bass 13 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 1 3 100%
T B Bass 13 0 3 2 100%
 
Come to the Savior, make no delay, George Frederick Root.
SDG
1:29 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 7 100%
T B Bass 15 0 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 7 100%
T B Bass 15 0 3 7 100%
 
Zie ik sterren aan de hemel staan
SDG
1:26 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 78%
Tenor/Bass Bass 16 0 4 5 78%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 78%
Tenor/Bass Bass 16 0 4 5 78%
 
69. Lieflijk is 't bij U te wonen (oude melodie)
SDG
1:07 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 4 3 100%
T B Bass 19 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 4 3 100%
T B Bass 19 0 4 4 100%
 
158. O, Lam van God, wie kan verkonden.
SDG
1:25 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 2 2 100%
Bass 15 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 2 2 100%
Bass 15 0 3 2 100%
 
37. U, Heer Jezus, bent ons leven (oude melodie)
SDG
1:07 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 4 3 100%
Tenor/Bas Bass 19 0 4 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 4 3 100%
Tenor/Bas Bass 19 0 4 3 100%
 
134. Hier beneên is 't niet te vinden (oude melodie)
SDG
1:12 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 17 0 3 4 100%
Piano,
Alt		 Treble 18 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 17 0 3 4 100%
Piano,
Alt		 Treble 18 0 6 4 100%
 
100. Nee, niet lang meer, zaal'ge woorden (oude melodie)
SDG
1:09 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 18 0 6 4 100%
T B Bass 17 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 18 0 6 4 100%
T B Bass 17 0 3 4 100%
 
Forth in Thy name, O Lord, I go. John Bacchus Dykes. John Wesley. TUNE: KEBLE.
SDG
1:13 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Bass 16 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Bass 16 0 4 4 100%